You can see why I was getting bleary eyed by mid-afternoon. This post will focus on the numerous ganaches that we made. First, Chef introduced us to a cool way to prep ganache frames. He has a bunch of 1/2" thick plexiglass that is cut to the size of his sheet pans. We then wiped those with a moist towel and lined them with acetate. Tempered milk chocolate was then thinly wiped over the acetate just wider than the frame. The frame is then set into the chocolate firmly and since its tempered seals the frame to the base making it water-tight.
With that set-up you'll see all the different ganaches we made. All of them follow the same basic process. Here's Mexican Vanilla Ganache:
630 g Cream 35%
120 g Butter 85%
8 Mexican vanilla beans
50 g Sorbitol
40 g Dextrose
400 g 65% Chocolate
215 g 38% Chocolate
20 g Vanilla extract
10 g Mycryo cocoa butter (1% of total weight)
1 g Soy lecithin liquid
Split beans. Put cream and butter in a sauce pan. Many say butter should go in at the end, but Chef disagrees. There is no structural reason for leaving it til the end and Chef believes that adding it now increases the emulsification process. Warm and add the dextrose, sorbitol and vanilla beans and extract. Ideally, steep covered for 24 hours then re-warm. Melt the chocolate and then add the warm cream mix and process in a food processor or with a stick blender. Mixing by hand can lead to separation. Finally, add the mycryo and pour into the frame, leveling and removing air bubbles.
Pistachio Marzipan
500 g Marzipan
135 g Simple syrup
25 g Kirsch
165 g Pistachio paste
115 g Mycryo cocoa butter
In processor, add each ingredient in order until smooth and homogeneous.
Chef then covered the pistachio marzipan with Lemon Ganache.
360 g Cream 35%
256 g Butter 85%
300 g Lemon juice
40 g Lemon peel
150 g Sorbitol powder
288 g Pasteurized egg yolk
65 g Inverted sugar
396 g 38% Chocolate
840 g 65% Chocolate
60 g Mycryo cocoa butter
Mojito Ganache
350 g Cream
180 g Lime purée
20 g Sorbitol
200 g Inverted sugar
175 g Butter
810 g 65% Chocolate
85 g White rum
8 g Mint
10 g Cocoa butter
Kona Hawaiian Coffee Ganache
550 g Cream
100 g Sorbitol powder
215 g Dextrose
160 g Butter
220 g Glucose
5 g Lechithin liquid
640 g 65% Chocolate
235 g Kona Coffee
20 g Mycryo cocoa butter
Earl Grey Tea Ganache
650 g Milk
80 g Tea
600 g 38% Chocolate
300 g 65% Chocolate
110 g Butter
95 g Sorbitol powder
50 g Dextrose
25 g Mycryo cocoa butter
I'm crashing so I'll finish up tomorrow with caramels and nougats.
Wednesday, June 30, 2010
World Pastry Forum Day 1: Nuts
This next section was the most mundane and yet the most memorable for me - we candied nuts. But we didn't just candy them, we turned many of them into pralines and marzipan.
Almond Praliné
560 g Almond with skins
240 g Almond without skins
850 g Granulated Sugar
260 g Water
1 Vanilla bean
Hazelnut Praliné
800 g Hazelnut with skin
675 g Granulated sugar
195 g Water
1 Vanilla bean
Both follow the same process. Boil sugar and water to 118ºC. Pour over the nuts and return to a flame. The mixture will sizzle and the sugar will crystallize.
Then we toss and fold over the heat.
And toss and fold...
and toss and fold til you feel like your arms are going to fall off. Once the sugar remelts and caramelizes then be sure the sides of the bowl are scraped down to get all of the sugar crystals melted. When the nuts have a good color and great smell, pour the mixture on a silpat to cool. Cut one nut in half to make sure that it is toasted all the way through - if not there will be moisture and textural problems later.
Above is the almond that became praliné and below is the soon to be marzipan whose recipe is below.
Marzipan
525 g Almond without skins
75 g Granulated sugar
475 g Cane sugar cubes
150 g Water
90 g Glucose DE38
Almond Essence
Process the almonds and granulated sugar. Place cubes, water and glucose in a pot and cook to 116ºC. Add the almond mix to the sugar mix and combine quickly before it crystallizes. Spread the mix on a silpat and rest to cool. The nuts will crystallize and crumble.
Pop them in a food processor and grind them as well as you can.
Then pull out your $8000 dual granite wheel praliné processor and go at it for about 45 minutes.
But the work is worth it. Each time you run the the nuts through the wheels you tighten the wheels another notch. Ultimately the friction from the wheels presses the oil and makes the nuts into a smooth, moist paste. Here's the hazelnut.
And here's our marzipan.
The final step is to put this back into the processor and go until its liquidy like peanut butter.
You'll note that we used a copper bowl which distributes the heat more evenly.
Almond Praliné
560 g Almond with skins
240 g Almond without skins
850 g Granulated Sugar
260 g Water
1 Vanilla bean
Hazelnut Praliné
800 g Hazelnut with skin
675 g Granulated sugar
195 g Water
1 Vanilla bean
Both follow the same process. Boil sugar and water to 118ºC. Pour over the nuts and return to a flame. The mixture will sizzle and the sugar will crystallize.
Then we toss and fold over the heat.
And toss and fold...
and toss and fold til you feel like your arms are going to fall off. Once the sugar remelts and caramelizes then be sure the sides of the bowl are scraped down to get all of the sugar crystals melted. When the nuts have a good color and great smell, pour the mixture on a silpat to cool. Cut one nut in half to make sure that it is toasted all the way through - if not there will be moisture and textural problems later.
Above is the almond that became praliné and below is the soon to be marzipan whose recipe is below.
Marzipan
525 g Almond without skins
75 g Granulated sugar
475 g Cane sugar cubes
150 g Water
90 g Glucose DE38
Almond Essence
Process the almonds and granulated sugar. Place cubes, water and glucose in a pot and cook to 116ºC. Add the almond mix to the sugar mix and combine quickly before it crystallizes. Spread the mix on a silpat and rest to cool. The nuts will crystallize and crumble.
Pop them in a food processor and grind them as well as you can.
Then pull out your $8000 dual granite wheel praliné processor and go at it for about 45 minutes.
But the work is worth it. Each time you run the the nuts through the wheels you tighten the wheels another notch. Ultimately the friction from the wheels presses the oil and makes the nuts into a smooth, moist paste. Here's the hazelnut.
And here's our marzipan.
The final step is to put this back into the processor and go until its liquidy like peanut butter.
You'll note that we used a copper bowl which distributes the heat more evenly.
World Pastry Forum Day 1: Liquid Center Bon Bons
The next five days I'll be slamming the blog with posts mostly to record my memory before its lost. We're covering so many recipes and techniques, and so many off-handed tips are being thrown out that I won't remember many, but these posts will try to capture and share what I'm learning.
My instructor today was Jean-Marie Auboine who just recently took over the pastry lead at the Bellagio. A very down-to-earth chef who clearly has a mastery of confections but also instruction.
Today we did a ton of prep that will show fruits tomorrow, but here it is:
While we were all setting up our mis-en-place Chef was preparing frames full of cornstarch. He started by whisking the starch to remove lumps and fluff it up a bit.
Then he scraped it down to make it a smooth surface.
And then imprinted it with the size cavities that we would be filling. Previously Chef had covered the tables with cling wrap to make clean-up easier.
Here's how the box looked before filling...don't sneeze!
I had first seen this technique in Torreblanca 2 where he used it to create bb sized liquid balls as garnish.
Cognac or Raspberry Liquor Candies
500 g Sugar - chef only uses cube because he says they have less impurities than granular
170 g Mineral water - again for impurities
200 g Cognac or Raspberry liquor (all liquor must be 40% minimum alcohol)
Cook sugar and water to 120ºC. Add cognac warmed to 50ºC and pour back and forth between two bowls - do not whisk or stir - this prevents crystallization. Cover with a west towel and rest 5 minutes. Fill starch mold three quarters of the way- make sure portioner/pourer is warmed to 50ºC.
Above are the raspberry liquors and below are the cognac. One filling technique that Chef demonstrated is to run the portioner non-stop and the starch will roll the liquid forward with the momentum and allow for much faster filling and less risk of crystallization.
Sprinkle starch on top of liquids and rest three hours (less for smaller molds).
That's part one...next up is ganaches and starting our bon bons.
My instructor today was Jean-Marie Auboine who just recently took over the pastry lead at the Bellagio. A very down-to-earth chef who clearly has a mastery of confections but also instruction.
Today we did a ton of prep that will show fruits tomorrow, but here it is:
While we were all setting up our mis-en-place Chef was preparing frames full of cornstarch. He started by whisking the starch to remove lumps and fluff it up a bit.
Then he scraped it down to make it a smooth surface.
And then imprinted it with the size cavities that we would be filling. Previously Chef had covered the tables with cling wrap to make clean-up easier.
Here's how the box looked before filling...don't sneeze!
I had first seen this technique in Torreblanca 2 where he used it to create bb sized liquid balls as garnish.
Cognac or Raspberry Liquor Candies
500 g Sugar - chef only uses cube because he says they have less impurities than granular
170 g Mineral water - again for impurities
200 g Cognac or Raspberry liquor (all liquor must be 40% minimum alcohol)
Cook sugar and water to 120ºC. Add cognac warmed to 50ºC and pour back and forth between two bowls - do not whisk or stir - this prevents crystallization. Cover with a west towel and rest 5 minutes. Fill starch mold three quarters of the way- make sure portioner/pourer is warmed to 50ºC.
Above are the raspberry liquors and below are the cognac. One filling technique that Chef demonstrated is to run the portioner non-stop and the starch will roll the liquid forward with the momentum and allow for much faster filling and less risk of crystallization.
Sprinkle starch on top of liquids and rest three hours (less for smaller molds).
That's part one...next up is ganaches and starting our bon bons.
My Getaway Reading List
Rarely a week goes by when someone doesn't bring me a book or article to read and with my time so short, they just stack up until that special moment comes. And now I've got three weeks to get caught up!
Some of you will recognize the Big Fat Duck Cookbook in there and I see José Andres peeking out from below this Garrett Oliver Dude. Below them are:
A re-read of Blumenthal's In Search of Total Perfection
Flower Confidential - a behind the scenes look at the flower industry
Coming Home to Eat - politics of local foods
Food of the Americas
Hermé's Macaron
My Search for the Seven Molés
Two back issues of the Art of Eating - still my favorite magazine/journal
Preserving
Greweling's Chocolates and Confections
Pintxos - tapas
Cooking with Prickly Pears
and a slew of articles from New York and New Yorker magazines
oh yeah, and a recent review our our dinners HERE.
Some of you will recognize the Big Fat Duck Cookbook in there and I see José Andres peeking out from below this Garrett Oliver Dude. Below them are:
A re-read of Blumenthal's In Search of Total Perfection
Flower Confidential - a behind the scenes look at the flower industry
Coming Home to Eat - politics of local foods
Food of the Americas
Hermé's Macaron
My Search for the Seven Molés
Two back issues of the Art of Eating - still my favorite magazine/journal
Preserving
Greweling's Chocolates and Confections
Pintxos - tapas
Cooking with Prickly Pears
and a slew of articles from New York and New Yorker magazines
oh yeah, and a recent review our our dinners HERE.
Monday, June 28, 2010
World Pastry Championship
If anyone wants tickets to the championship, gala dinner or awards ceremony, I won't be able to use mine. I will be attending the forum and the first day of the competition, but can't stay for the final day's events. Let me know if you would like them.
Wednesday, June 23, 2010
Book Review: Rasoi: New Indian Kitchen
[Note: As you've noticed, I've been incredibly busy with our dinners. That's good news of course. The down side is that I've had less time to play and find interesting things to post here. Next week I'm off for the Pastry Forum Workshop on Competition Pastries so that should provide good fodder with Stephane Treand as the instructor. In the meantime, here's a new book that I highly recommend.]
For those readers old enough to remember when parental warnings were placed on certain music, you might remember how that music became the ‘must have’ CDs and records for your collection. Vineet Bhatia opens his recently released Rasoi: New Indian Kitchen with “This book is probably not for the novice cook.” Such sweet warnings are rarely uttered in culinary books.
Read the rest of the review at The Gastronomer's Bookshelf.
For those readers old enough to remember when parental warnings were placed on certain music, you might remember how that music became the ‘must have’ CDs and records for your collection. Vineet Bhatia opens his recently released Rasoi: New Indian Kitchen with “This book is probably not for the novice cook.” Such sweet warnings are rarely uttered in culinary books.
Read the rest of the review at The Gastronomer's Bookshelf.
Tuesday, June 15, 2010
A few more recent dishes
I'm wrapping up my current menu with only two more weeks, then all of the current dishes will go away. I love the evolution of dishes over time - Csíkszentmihályi's flow - where my confidence and abilities align to create the dish that was created in my mind long ago. Here are a few to retire...
Gazpacho. Served in a double wall sake glass with Idiazabal cheese, sunflower sprout holding Balinese pyramid salt, rose petals from our garden, bottarga and arbequina olive oil.
Cayenned cucumber sorbet. Cucumber noodle. Red cabbage sprout. Spicy white chocolate.
Recipe added for Sharlene: 2 C cucumber juice, 1/4 C agave nectar (honey or corn syrup), juice of one lemon, a pinch of salt, pinch of cayenne. Blend, strain, freeze. How's that for simple.
Crispy cheese ball. Garlic khadichi rice. Red cabbage sprouts. Mozzarella. Spicy chili garlic sauce.
Asparagus Forest. At the restaurant staff is instructed to say, "Too many ingredients to describe." Contains herb leather, saffron orange leather. Three mushroom paper. Salt cured egg yolks. Dill sauce. Mixed sprouts. Roses. Orange mousse. And a few more things depending on my mood that night.
Gazpacho. Served in a double wall sake glass with Idiazabal cheese, sunflower sprout holding Balinese pyramid salt, rose petals from our garden, bottarga and arbequina olive oil.
Cayenned cucumber sorbet. Cucumber noodle. Red cabbage sprout. Spicy white chocolate.
Recipe added for Sharlene: 2 C cucumber juice, 1/4 C agave nectar (honey or corn syrup), juice of one lemon, a pinch of salt, pinch of cayenne. Blend, strain, freeze. How's that for simple.
Crispy cheese ball. Garlic khadichi rice. Red cabbage sprouts. Mozzarella. Spicy chili garlic sauce.
Asparagus Forest. At the restaurant staff is instructed to say, "Too many ingredients to describe." Contains herb leather, saffron orange leather. Three mushroom paper. Salt cured egg yolks. Dill sauce. Mixed sprouts. Roses. Orange mousse. And a few more things depending on my mood that night.
Sunday, June 13, 2010
Bison Tongue Pain Perdu (ala Keller)
Riffing off of Keller's Under Pressure, I pickled a bison tongue about six weeks ago. I had to look at that ugly thing for six long weeks, all along hoping it was staying edible and not knowing if it would be any good at all.
After I removed it from the brine and dried the tongue I set about to clean it.
Trimmed some edges, removed the skin and membrane, cut it in half to make it easier to work with.
Then ran it through my slicer to get it as thin as I could.
Next, I took some day old brioche and lined an 8x8 pan snugly.
Soaked the brioche with a savory custard.
Added a layer of overlapping tongue slices.
More custard.
More brioche, more custard and then baked til puffed, set and brown.
Following Keller's lead I chilled the pain perdu, then used a 3" round cutter to cut crescents which were browned in a skillet with butter and held til service. At service they got 5 minutes in a 350º oven to warm. Very, very good stuff. Too bad you have to plan so far in advance.
After I removed it from the brine and dried the tongue I set about to clean it.
Trimmed some edges, removed the skin and membrane, cut it in half to make it easier to work with.
Then ran it through my slicer to get it as thin as I could.
Next, I took some day old brioche and lined an 8x8 pan snugly.
Soaked the brioche with a savory custard.
Added a layer of overlapping tongue slices.
More custard.
More brioche, more custard and then baked til puffed, set and brown.
Following Keller's lead I chilled the pain perdu, then used a 3" round cutter to cut crescents which were browned in a skillet with butter and held til service. At service they got 5 minutes in a 350º oven to warm. Very, very good stuff. Too bad you have to plan so far in advance.
Friday, June 11, 2010
Rootbeer Float published in Dessert Professional
For those of you who don't subscribe to Dessert Professional, I had a recipe published in the current issue. The original blog post can be found HERE.
Tuesday, June 8, 2010
Electrolux Magic Mill DLX 2000 Follow-Up
Here we are nine months later and I'm still loving my Magic Mill. Since my previous post about this machine gets the most retrospective comments from readers, I thought I would share a more critical insight into my past nine months of usage.
That picture is my six batard sourdough morning batch. Total dough weight is 2130g. I will often do a double batch in the machine which is 4260g. The machine has no troubles with either, but the double likes to climb up the roller more readily. I've learned to keep sturdy but not hard pressure pushing the roller against the wall to control dough climb. Not an easy skill to teach my staff. The dough climb can be seen in my #3 circle below. This is no different than my old Kitchen Aid except it is easier to resolve on this machine since the top is accessible during operation versus the lifted bowl of the KA.
The number one circle shows how dough likes to slip under the side bowl scraper. I normally will hold the scraper arm with my left hand while leveraging that against my right hand on the roller arm. At times I'll just let it all go hands free, but that normally doesn't give me a very positive outcome - ie, it is more efficient for me to have both hands active in the process. It seems over time that my scraper is letting more dough underneath than it used to. This is still much better than my KA bowl walls.
The number two circle shows how dough likes to pull the scraper away from the side. Once this happens your mixing efficiency drops to nil.
My biggest problem is that their instruction manual seems inaccurate as to what tool to use for what job. I use the roller wheel for my bread and most other doughs, and the whisks for creams, but I have yet to find a good use for the dough hook. I've tried the dough hook many times on my bread, but it doesn't work well. Maybe someone can enlighten me on that.
So, my summary...this is still a workhorse showing no signs of letting down. Because of the design there really is no reason for the motor to burn out. On the contrary, since my last post, my KA died a third time doing far less work. I had to pay for this repair versus the first two which were covered by KA.
Even so, there are some design flaws as I see them. First, I'd like the side scraper to hold itself in place. Second, I'd like to see the roller bar arm lock keep the arm from moving inward versus outward (not sure why they thought it was useful for the arm to be locked from moving toward the outside of the bowl). Third, I'd like to have a hands free experience so I can do things other than babysit my machine.
That's my summary for now. I expect my fellow Magic Millers to chime in with their experiences.
That picture is my six batard sourdough morning batch. Total dough weight is 2130g. I will often do a double batch in the machine which is 4260g. The machine has no troubles with either, but the double likes to climb up the roller more readily. I've learned to keep sturdy but not hard pressure pushing the roller against the wall to control dough climb. Not an easy skill to teach my staff. The dough climb can be seen in my #3 circle below. This is no different than my old Kitchen Aid except it is easier to resolve on this machine since the top is accessible during operation versus the lifted bowl of the KA.
The number one circle shows how dough likes to slip under the side bowl scraper. I normally will hold the scraper arm with my left hand while leveraging that against my right hand on the roller arm. At times I'll just let it all go hands free, but that normally doesn't give me a very positive outcome - ie, it is more efficient for me to have both hands active in the process. It seems over time that my scraper is letting more dough underneath than it used to. This is still much better than my KA bowl walls.
The number two circle shows how dough likes to pull the scraper away from the side. Once this happens your mixing efficiency drops to nil.
My biggest problem is that their instruction manual seems inaccurate as to what tool to use for what job. I use the roller wheel for my bread and most other doughs, and the whisks for creams, but I have yet to find a good use for the dough hook. I've tried the dough hook many times on my bread, but it doesn't work well. Maybe someone can enlighten me on that.
So, my summary...this is still a workhorse showing no signs of letting down. Because of the design there really is no reason for the motor to burn out. On the contrary, since my last post, my KA died a third time doing far less work. I had to pay for this repair versus the first two which were covered by KA.
Even so, there are some design flaws as I see them. First, I'd like the side scraper to hold itself in place. Second, I'd like to see the roller bar arm lock keep the arm from moving inward versus outward (not sure why they thought it was useful for the arm to be locked from moving toward the outside of the bowl). Third, I'd like to have a hands free experience so I can do things other than babysit my machine.
That's my summary for now. I expect my fellow Magic Millers to chime in with their experiences.
Monday, June 7, 2010
Scam Alert...200 gyros
A few years ago I read a message on eGullet about hearing restaurants receiving calls through hearing impaired relayers with large orders. These were always last minute and when the time came for the food to be picked up, no one would show. A quick google search shows that this is a very common scam.
I got my call just on Saturday - order for 200 gyros for mom's birthday on Tuesday. The caller gave the email
I got my call just on Saturday - order for 200 gyros for mom's birthday on Tuesday. The caller gave the email
wsusan1128@gmail.com
which is googlable for the scam as well. They were willing to give a credit card but the scam messages say that the card will swipe fine but be deactivated before the money hits your bank. So where's the scam? No one gets any money or food, the restaurant is just out the expense of the prepared items.
Just a stupid prank? I don't think so since its been going on for years and with common emails and phone numbers. Since I'm conspiratorially minded I would like to know if the restaurant distributor is a commonality. I sure hope not but someone has to be getting something out of this.
which is googlable for the scam as well. They were willing to give a credit card but the scam messages say that the card will swipe fine but be deactivated before the money hits your bank. So where's the scam? No one gets any money or food, the restaurant is just out the expense of the prepared items.
Just a stupid prank? I don't think so since its been going on for years and with common emails and phone numbers. Since I'm conspiratorially minded I would like to know if the restaurant distributor is a commonality. I sure hope not but someone has to be getting something out of this.